Thursday, 31 March 2022

In Ten Towns - Random Encounters

There seems to be a decided lack of 'random stuff that happens in town' in the Rime of the Frostmaiden campaign. I think it's especially noticeable because so much of the module is centered on the goings-on in town. The whole aim of the first large section in the module is to get players invested in what's happening here. And largely the Towns should be the "safe zone" so that players learn to appreciate that safety... but that doesn't mean nothing interesting can happen there!

Roll whenever players spend a significant time in town, or whenever they are "between" adventures or adventure beats. 

  1. Three kobolds in a trenchcoat. They are 1- trying to buy medicine, 2- going to see a performance, 3 - interacting with another 3 kobolds in a trenchcoat, neither trio is aware that the other is not an actual human
  2. Travelling actors handing out fliers for a variety show ("Termalaine's Got Talent" or "Robilar's Travelling Circus" etc), they're also open for submissions. They've been stuck in the Dale since the snows came in, trying to make the most of it.
  3. Volothamp Geddarm, compiling info for his next book. 
     - wants to interview players about monsters encountered
     - Rerolls on this you meet a fan reading his book. If the PCs gave good interviews, the fan might recognize them and ask for an autograph.
  4. A witch hunter, going around casting Detect spells. Asks players: "Have you seen any invisible dwarves lately?" May be a Specoercitor or a Leveller.
  5. Member of the Arcane Brotherhood, in person or a servant.
    1. Avarice/one of the Black Sword cultists.
    2. Vellyene/ some of her kobolds
    3. Dzaan, or his simulacrum/ the wight
    4. Nas Lantomir, getting ready for her expedition to the Isle of the Solstice
  6.  A large, indolent owlbear wandering through town. Followed at a very respectful distance by a large group of town militia. It might want to break into food stores or disrupt daily town business, militia and PCs have to decide whether to let it chow down or gently try to shoo it away. If handle animal checks fail badly enough, it'll try to take somebody's arm.
  7. Chwinga (as wilderness encounter table)
  8. Militia horn blows! A call to arms! Roll to see what menaces town: 1 - orcs, 2- gnolls, 3 - reghed raiders, 4 - ice troll, 5 - duergar, 6 - adult white dragon. 
    • Raid: by the time PCs respond, raiders have started carrying off food or other supplies and trying to fight their way out. If a dragon, it has killed an axebeak, but the dragon is too small to carry off the whole carcass. 
    • Scout: Caught lurking near the edge of settlement, PCs can help run them off or hunt them down. If they get away with important info about defenses, a extra-large or well prepared raiding party will show up for some future random encounter roll.
    • Passing by: Bold or aggro militias may want to sortie out of town to remind 'em not to venture so close.
  9. Priestess of Auril (Sister Zlata, water genasi woman.) Conducting collection of names for the lottery, or delivering sermon about how lighting fires is a sin. One way to get out of entering lottery is to claim that you've already been in a lottery within the same month in another town--Zlata doesn't really have a way of checking, and although she might pretend she's casting Zone of Truth she doesn't want to waste the spell slot unless the PCs are being REALLY transparent in their lies. Another method is simply hiding. Anyone caught cheating will be punished, usually by having their name added ten times to the next lottery.
  10. Crowd getting ready to burn a frost druid (Aliissá, genderfucked, probably human). There is some disagreement, as the religious customs normally call for sky execution--but they're not sure if that will really work on a frost druid. 
  11. Contingent of paladin bounty hunters. Searching the Towns for an escapee from Revel's End. Led by Sir Fintan (human man), clad in magic porcelain half plate +1 that is resistant to cold. Probably won't bother the PCs unless they seem like criminals, but will hang around town for awhile and might interfere with other plot events for paladin-y reasons. Helping them catch their fugitive will get on their good side. The fugitive is a shifter, hagspawn, or dhampir Assassin
  12. Recruiter, looking to sign people up for the Wars in Hell. "Can't be any worse than up here!" Make it clear to players that this would remove them from the current campaign! Altho it might be a bit tricky for the recruiter to organize their departure
  13. A traveler from another plane. May be lost. Asks lots of strange questions.
    1. Alternate version of this world
    2. Modern day earth - or cyberpunk near-future
    3. Outer space/wildspace
    4. Dark Sun or Barsoom
    5. the most recent fantasy book you read
    6. Faerie
  14. Barfight spills out onto icy street. Default brawlers include Auspix (dragonborn agender, bristles like woody twigs on face) who has accused Bowwen (Eladrin male with a crescent tattoo on forehead) of cheating at cards. Bowwen actually was cheating, but in a totally different way than Auspix is accusing, and he's frankly offended that someone would think he's so clumsy as to fumble such a simple trick. "if I WAS doing that, we wouldn't be having this conversation, as you'd never have seen me."
  15. "Wagon of Wonders" selling cures for frostbite and hunger. Proprietor, purple-mustachioed gnome Jabble Fabblestabble, warm smile permanently etched on his face. Will also offer "business opportunities" to invest in his yeti oil pyramid scheme
  16. Tomaz (half elf) staggering into town, suffering frostbite after being lost for days. DC 15 Medicine check can help him recover, if the PCs have a way to get him into a warm space and provide him warm fluids. If the check fails, this is because his condition is worse than hoped, and more long term care of one week will be required (which a PC can also provide.) If the party is able to help him Tomaz feels he owes the party a favour, and offers them free accommodations at his house in the next town over
  17. Ice hockey game! Opportunity for players to play, blow off some steam, and possibly win a fancy pair of ice skates
  18. Suspicious local (Merswit, human, she has very large teeth) accuses party member of being three kobolds in disguise. She is hard to dissuade, as she doesn't want to "fall for their tricks." Stripping down to undergarments should do it, but any attempt less than that should require a Persuasion check with DC between 13 and 17 depending on the approach. Intimidation is only DC 10, but will result in Merswit spreading scandalous lies about the party behind their backs
  19. Something very out of season has happened (a tulip blooming as if it's spring, some birds suddenly singing in some bushes, a little creek breaking free of the ice to to tinkle and burble into the lake) and locals gather round to witness it before winter reclaims its grasp. Could grant renewed save to shake off madness, depression, curses, and especially effects related to winter. 
  20. News of the White Wyrm! - Arveiaturace flying across the dale in the twilight, shadow and pale wings across moonlit snow and dark skies. - Word that a ship bearing supplies intended for Ten Towns was taken by the dragon, with all hands lost. "I watched them go down, into the black water, or down the chute of er ivory gullet" moans the gaunt sailor. -An old woman with Reghed tattoos tells tales of the days when The White Wyrm and her wizard Meltherond came to the Dale. Implies bawdily throughout the tale that she and the wizard had intimate relations. "Meltherond had quite the Meltha-wand, if you catch my meaning" -according to the upstart braggart, the hoard of Arveiaturace is said to contain scrolls, potions, nameplates and figureheads and ships helms, and one frozen corpse from every ship or caravan she's ever taken down

Saturday, 24 July 2021

Four Riddles

Lots of inspiration made me want to write this post for a long time. Riddles take time for me to write! The answers, of course, are hidden as white text on a white background: highlight them and they shall appear!

Players in my games, don't spoil these riddles for yourselves! I promise you'll encounter them all eventually ;)

As long as my jailors live, so do I
If they choose to set me free, then I die
a secret

I dream of the day I'm so tall
I tower over the world
All winter I slumber
In lightless cell curled
a seed

I am a painter
Although my fingers are stiff as daggers
Strong enough to break rock
I paint delicately
Soft enough to trace a dandelion clock
So quiet I can paint your whole house
Without you hearing the swish of my brush.
But be quick if you want to see my work!
A jealous rival scours it all away.
Ice, frost (jack frost)

I am a dancer,
Getting faster and faster
My partner doesn't move her feet
She sashays so sweet
Her dress is of colours bright as the day
But my suit is grey
I strive to get close to her
Although her touch is the finisher
of both myself and my dance
A moth and a candle

Tuesday, 20 July 2021

Random Backstory Tables: Barbarian, Bard & Cleric

The tables in Xanathar's Guide to Everything are great, but they're way, way too short! Happily that makes them an excellent subject for a blog post. Here are the first three classes: Barbarian, Bard, and Cleric.

The barbarian 'tattoos' table is a bit longer cuz I got carried away.


Personal Totem

1- a grinning shark-like maw extending on either side of your mouth and up your cheeks
2- A series of protecting runes encircling your throat and covering your heart
3- Red geometric lines, like blood streaming from the corners of your mouth
4- A random-seeming phrase in a language you don't know. To you, all writing has powerful magic potential, and when you 'liberated' this bit of script from some scholar you inscribed what you thought must be the most important bit of text onto your skin, to absorb it's magic.
5- The entire sleeve of one arm, inked a solid black.
6- The phases of the moon (or one of the moons) inked across your knuckles.
7- The name of a lover who broke your heart. Seeing it causes you great pain and anger, but you're too stubborn to get it removed or covered up.
8- A map to a secret location. Work with the DM to determine where this might be. You don't trust paper or writing, so you had this tattooed on you, and had the map itself destroyed.
9- A face tattooed on your but. The idea is that you can move your buttcheeks and make the face kind of look like it's talking. At your option, the face may be that of a famous political or historical figure, a scowling demon or dragon, or a badly rendered replica of your own face.
10- A to-do list. You didn't have a pen handy, but you did have a tattooing needle...
11- Knuckle tatts that read 'RAGE' across one hand and 'KILL' 'HATE' 'LOVE' 'DEAD' 'SMRT' 'FUCK' or some other four-letter word across the other hand.
12- Traced white lines, as if scarred by lightning.
13- A keyhole shape, around your eye, and a key on your hand.
14- A series of hatched lines; you add a new one for each worthy foe you slay in battle.
15- "MOTH" inside a heart
16- An anchor. You're a traditionalist.

1 - Never let an ally become entirely obscured from view during a fight or in a dungeon, or you will be suspicious of them until they reprove their trust. One way of restoring trust is by asking "what goes up a chimney?" And the other responding "smoke."
2-  birds are unlucky, especially pictures of birds. You will never tolerate having a picture of a bird in a house, and if you can destroy the picture that's ideal
3- the last person to arrive for drinking has to quaff a whole drink, as a penalty. When drinking, alcohol must be poured for all present, altho they are not required to drink
4- it is bad luck to give or receive a weapon or any kind of blade as a gift. This may be avoided by exchanging a token amount, such as one silver piece, since an uneven trade is not a gift. 
5- wizard's magic is weak to silver - their magic may ward off a knife, but silver will cut through. 
6- things always come in threes. So if you have fallen into a hole twice, or found gold twice, you're bound to have it happen a third time
7- Someone who dies will need their weapons after their dead. Don't loot that sword off your friend, as he may be fighting ghosts with it in the afterlife. Replicas or substitutions may be acceptable. 
8- money is cursed, and you will never touch it with your hands if you can help it. 


Defining Works
1- 'the Tain of Greenmere' A rambling saga - chant that recalls every river, hill and dell of a long journey across your homeland, now lost under the sea
2- an extremely experimental work, filled with invented words and seemingly stream of consciousness verses that in fact you poured inordinate amount of time into getting just right
3- a catchy hit song that you're famous for performing as part of a band of five nearly identical-looking young singers
4- its a cover of someone else's song, but your version was so defining that even the original artist has basically given it to you, going so far as to say they'd hesitate to perform it themselves without your blessing
5- 'Misummer Knights' a bawdy tale about the queen of the fairies, her clone, and a lot of nudity, chaos, fighting, and mistaken identity. 
6- a conceptual art piece consisting of precisely measured long intervals of silence, interspersed by a few single notes. 

1- musical saw stolen from loggers trying to clearcut a dryad's grove
2- Balalaika, engraved with images of a polar bear grappling a moosetaur
3- Crwth made of scrimshawed whalebone 
4- Aulos won from a satyr in a drinking contest
5- Nyckelharpa made by a famous firbolg crafter 
6- Digeridoo fashioned from a mastodon horn
7- Ocarina with a built in watch ⌚ 
8- Xaphoon bound in red gold and inscribed with the sigil of your house
9- Lur with a matching helmet with decorative horns
10- A hurdy-gurdy engraved with eldritch prophecies of doom in an ancient tongue

1 - Having read far more words than you've heard spoken, you frequently mispronounce rarely-used words.
2 - You completely forgot the Duke's name in the middle of the season's premiere social gathering
3 - It was discovered you'd used illusions to fill out the audience of your play 'Qouth the Zondervoze.' 
4 - Interupting the production of the play 'the King in Yellow,' you wrecked the set and burned the only copies of the script before the actors could learn any of their lines. You are mocked for it, but you swear there was something deeply sinister about that writing.
5 - One does not need to explain the depth of this faux pas: You wore white after the harvest festival, but before the beginning of spring.  
6 - Challenged to a rhyming duel, threw up before getting on stage- ruining your chances and your favourite sweater. 


1 - A black, basalt column sprouting from a seaweed and barnacle encrusted rock in the middle of a storm-tossed sea
2 - an idyllic grove, ringed around the hill with ancient henges of stone and wood, where wine and food is always on offer
3 - a hospital in the slum of a war-ravaged city, dedicated to administering aid to the sick and wounded.
4 - A hidden safehouse, tucked in a blind alley, impossible to find unless you know where to look, and with half a dozen secret escape routes
5 - a barn, converted into a church by the rustic folk of the village, decorated with homespun 'tapestries' and colourful murals. 
6 - a sprawling, bureaucratic edifice, a brutalist building filled with clerks and auditors, filing everything in triplicate.

1 - A feather of ever-shifting iridescent hues
2 - A teapot, painted with one of the symbols of your faith
3 - A bedraggled doll, given to you by a child whose life you saved to keep you safe when you were headed into danger.
4 - A bottle of wine you acquired during a frankly somewhat hedonistic evening in the big city.
5 - This pocket-sized holy book still bears the scar of the arrow that would have pierced your heart.
6 - A set of manacles, which you wore during your imprisonment for the crime of following your faith.
7 - A finely crafted pen, taken from the seminary where you underwent your training.
8 - Flint and tinder- a reminder that there can be light in even the darkest places.

1 - What's the harm in making a little money performing magic on the side? Surely the gods wouldn't have given you these gifts if they didn't intend for you to use them.
2 - Whether sentimental or superstitious, you keep an icon of the spirituality of your childhood, from before you converted.
3 - Although sworn to avoid all worldly attachment, you have a secret spouse- an important figure within the government.
4 - If the gods don't grant you the miracles you need, you're not above faking them.
5 - You are writing your own treatise on religion, one you hope will eventually supplant the existing orthodoxy of your faith.
6 - A parent forced you into the clergy to avoid an inheritance complication. You never wanted to be a priest, but to everyone's surprise you manifested the gift of divine power!

Thursday, 18 February 2021

Harpy Tree

I'm liking making maps! It's just very chill, especially with all the greenery. I'm just sitting here plonking down moss, how delightful.

This is a continuation of my previous map of the owlbear den. I wanted to see what I could do for the tree above.

click for big version

Once again, it's designed to be open ended, for all your 'big tree in a forest clearing' battlemap needs. Once again, however, I'm also providing some notes! This should help especially with how to describe and interpret the map- extreme elevation is tricky to show in two dimensions.

now with numbers!
1. Owlbear den entrance. See description from the previous map. Climbing up the bluffs should be a pretty easy check, if they're climbing the roots or a low area of the bluff, but could still be a hindrance if rushed by combat. The bluffs are also steep enough to provide some cover for creatures cowering right at the base, against any attacks from the branches of the trees, but the harpies would be able to fly up to gain vision of anyone hiding there.
2. Base of the tree is littered with roots, creating difficult terrain in some areas. Climbing onto the large roots should be very easy and likely not take an action, climbing up the trunk of the tree slightly harder and takes extra time/movement. Darker area on the ground delineates the full extent of the upper canopy, not all
3. Large flat fungus shelf forms a handy platform. 20ft off the ground, 15 from roots. Can support people's weight no problem, but anyone falling on it from a height will snap it off, releasing yellow mold-like spores. This is the reason the harpies havent' removed it, despite it making access to their nests noticeably easier.
4. Large, high branch 40 ft off the ground. While very sturdy, not going to break anytime soon, it is a bit bouncy, and sways under movement. Acrobatics type checks to stay balanced, unless you sit down and scoot along on your butt at a greatly reduced speed. 
5. Harpy nests, 50 ft high. On a wooden platform securely fastened to the tree. Sharpened stakes on underside of platform make it difficult to climb directly up, high difficulty to avoid and failure means you take damage and don't progress. There are no spikes above the platform, so a creature could climb higher up the tree and then descend to avoid the spikes. Treasure: There are shiny baubles visible glinting in the sun! Mostly glass and beads, but a few genuinely valuable gemstones mixed in with the harpy poop.
6. Climbing higher than the nest grants partial cover from ranged attacks and flying creatures, as the branches become more dense. The absolute crown of the tree is 130 ft high, and climbable up until the last 15 feet. The apex is partly bare, with giant spikes of wood sticking up out of the foliage like a crown. The tree is the tallest in the vicinity, and from this height players should be able to see some cool points of interest in neighbouring hexes/areas close by.
7. Path leading west. Who's been using the track? Clearly not harpies (they fly) or things that would be eaten by harpies (they prefer to avoid being eaten).
8. Deep well (actually the shaft of a buried tower.) Vines growing makes climbing possible but not easy. Possible vines break, guaranteed if the character is loaded with gear and encumbered. Deep, deep drop- this and the 'path leading west' are also bookends for if I want to make more maps and keep adding on. 

I hope I placed the well far enough out of the way so that it doesn't overlap with where the owlbear den ought to be! But I think it's in the dead zone.

P.S. This map should probably have more treasure. And like... scenarios, and character motivations, and plot hooks. That's all up to you though, I'm not making a dungeon here, I'm just making a map with some supplemental notes! All you have to do is find a place for a giant tree with a nest in it and everything should be fine.

Tuesday, 16 February 2021

Owlbear Lair

 As part of my continuing roll20 DMing I've been making a few battlemaps. 

click for big!
An owlbear lair!

My intention was to make this fairly generic, so it's basically usable as an extension of a random encounter type situation. However, it occurs to me that a few features might benefit from some explanation, so I'll include a quick key:

1. Path leading to nest is well worn- owlbears don't care much about being tracked, because who would be dumb enough to mess with an owlbear in their lair? I included this for the non-zero chance that the players will try to lure the owlbear out or ambush it, in which case the entire rest of the map might be redundant. Oh well!

2. Entrance set between some enormous tree roots. Entrance is wide but low to the ground, and a bit steep, requiring an easy climb check to descend- which is fine when you can take your time, but if you're, say, being chased by an owlbear it's a lot harder. If I wanted to add on to this map, I would build the bluff above the entrance, and the branches of the enormous tree. What could live up in the tree that would happily coexist with an owlbear? Maybe some scavenging harpies? Harpies sound fun.

3. Mud-trough entrance. Owlbear doesn't get impeded, but humanoid characters slip and fall in the mud easily (as a Grease spell)

4. Owlbears like fresh food, especially to feed newly-hatched chicks (owlbears supplement their lactation with drip-fed blood). This owlbear has broken the legs of an unfortunate peasant and stuffed them in this hole- if he hears anyone he calls for help, possibly alerting the owlbear.

5. Passageway north partly blocked by roots. Acrobatics to wiggle through, Athletics to lift out of the way. Roots are infested with numerous small poisonous owlbear mites.

6. Dead end passageway, fresh claw marks on the wall. Owlbear has been working on a new passageway. Lots of roots, some glowing mushrooms- magic! If anyone know any good magic mushroom tables let me know. Elfmaids & Octopi probably does, right?

7. The owlbear's vomitorium. Numerous owlbear pellets in differing stages of decomposition. Each 10 minutes spent searching, character can roll to find something random. Successful check find an at-least-somewhat-useful magic item, failure roll on the Random Junk table. Make sure to describe the junk in an owlbear-themed way!

I do love rot grubs, so feel free to sprinkle some in here. This variety of rot grub doesn't infest owlbears, naturally (or maybe they do, just not fatally, so owlbear flesh is notoriously worm-ridden).

Wall to the south is very thin, can be broken through, either by an adventurer or an owlbear. Owlbear uses this as an escape route, although it's unlikely to flee from puny humans. It only cares about bigger owlbears, or dragons.  

8. This low part of the cave is filled with slick, deep, grey mud. Enough to drown in, but if you find a rock to stand on and balance carefully you can keep your head above the mud. The owlbear is too big to fall in (the ceiling is quite low), but it will happily punt an intruder into the mud- although not if there's only one intruder, because then it wouldn't have a nice snack for when the fight is over.

9. Owlbear has a cozy, dry sleeping nest made of leaves and sticks, and a round incubating nest with eggs. Nest is packed with manure, which the owlbear carefully adds and subtracts from to maintain the correct amount of heat. 

Sunday, 24 January 2021

Battlemap: The Kraken's Eye

 Betcha thought this was a derelict blog huh? Maybe. We'll see if this is one of those 'do one post after a long dry spell in a last ditch attempt to revive it which promptly fails' posts. Wouldn't be the first time a project has gone that way!

What have I been up to? This pandemic moved all my games online, of course. So most of my D&D energy has been dedicated to learning how to run that. Roll20 is a learning curve I tell you, and I went down a bit of a rabbit hole where I decided every NPC and monster needed their own stat blocks typed in by hand. 

But now that I've got a handle on that, I've been turning a bit more to art, creating stuff to add to my games. So we'll see if that's a new element which can help me revive my passions for this blog. At any rate, I'm happy with the content I have for this post!

Behold, the Kraken's Eye, an new, cool, squamous-eldritch-horror battlemap for your roll20 (or other) needs: 

Click to Embiggen, ofc
15x17 in case you're wondering

This is ostensibly for the adventure 'Kraken Corpse Delve' (thanks to the estimable Bryce for his excellent review of the module). But really, what game doesn't call for a tense encounter perched on the eyeball of some lovecraftian horror? If you can't use this at SOME point in your game, well I don't want to tell you you're running your game wrong, but you may be running your game wrong.

Now the one problem with that module is the lack of maps. I know, 'theatre of the mind,' but for online games in particular I find an evocative map or illustration is a good way to focus the group's attention. In addition, the very same weird nature of the geography that would make a traditional dungeon map very hard to draw makes the use of a battle map potentially even more important. If I have no idea if a character is above, below, behind, or entirely distant from, another character, how can players be expected to keep track? This are narrow, asymmetrical spaces. I do like the claustrophobia and confusion a purely imagined space helps evoke, and for the majority of this adventure I'll stick to descriptions... but for certain key locations, a map adds a nice touch.

So here's the first, and the first one that caught my attention: a great eye, from which eye-monsters burst. The eye also functions as a kind of 'hatch,' and after it's ruptured or pried loose the players can climb down through the socket to access the next level of the 'dungeon.' I will be following it up (hopefully, if I don't get distracted and never return to this blog again) with a few other maps: the gills I think were one, and the portal room inside what I think is the kraken's brain? And maybe a few other mini-maps. I am intrigued by the idea of illustrating the section of the creatures claws 'jumbled together like lions' or something, even though I'm not sure any fights take place there. You'll have to add one of your own.

A few notes:
- the initial 'entrance' is intended to be via climbing down the long pink tentacle. However clambering over the large orange leg, rappling from the ceiling, or even clambering out of the pit, are all options depending on how you use the map.
- I hope I successfully conveyed height and distance. It's clear to ME, but I already know what it all means. In brief, the broken bits of shell are intended to be platforms, at least 5-10 feet off the 'ground, and the bottom right section features a set of rough, broken 'stair's that leads down to the green tendril-tentacle. The orange legs are either catwalks or 'ladders' to clamber around on. The shadowy area to the right is a chasm and is intended to be pretty deep (and full of weird spines and tentacles and glowing lights). the brown wall to the left, and the rock wall at the top, are intended to be, well, walls- maybe a little sloping, but really hard to actually STAND on. The jutting rock in the bottom right corner is intended as another kind of platform.
- the green-yellow tentacles should probably try to sting you if you step on them. 
- there's a lot of 'difficult terrain' on this map, but in general the large purplish area of skin is pretty clear and easy to move across. Use your discretion in other areas, and of course clearly communicate to players what challenges they might face moving around the space.
- I didn't put as much shadow in as I normally would, as over-shaded maps are a pet peeve of mine in roll20. Because you can set up light sources in the browser, having lighting too 'baked in' to the illustration itself sort of breaks immersion or limits flexibility. I'd place some light sources coming from the eyes, the glowing tentacles, or just some ambient light from the ceiling (fungus of course). However, I would be interested what other people's thoughts are on the matter. More shadows??

Let me know if you use it, how it works for ya, and if you use it for any games that aren't part of the 'kraken corpse' module! 

Ok see ya, and fingers crossed for the next post ;)

Saturday, 18 July 2020

Better Dinosaurs 3

A long overdue follow-up post to my first two efforts to make dinosaurs better. It's only been like two years, cut me some slack

Ettercaps, but they're dinosaur ettercaps now!

One of my players found a baby one of these- very adorbs! The cutest little pocket flamethrower <3

Large beast,unaligned
Armor Class 12
Hit Points 19 (3d10+ 3)
Speed 30 ft., climb 30 ft. ft.
STR 15 (+2) DEX 12 (+1) CON 13 (+1) INT 2 (-4) WIS 10 (0) CHA 5 (-3)
Proficiency Bonus+2
Senses darkvision 30 ft., passive Perception 10
Challenge 1/4(50 XP)

Fire Spittle. The Salasaur sprays a sticky substance that ignites on contact with air or flesh. Each creature in a 15-foot cone must make a Dexterity saving throw. A creature takes 12 (3d6) fire damage on a failed save, or half as much damage on a successful one. A creature that fails this saving throw is caught on fire, and takes 3 (1d6) points of damage on each of it's turns until the flames are extinguished.

The fire also ignites any flammable objects in the area that aren’t being worn or carried.

Bite. Melee Weapon Attack: +4 to hit, reach 5 ft., one target. Hit: 6 (1d8 + 2) piercing damage and 3 (1d6) fire damage. The target must also make a Strength saving throw or be grappled. A creature that starts it's turn grappled by the 

Grey Render

Such a dinosaur!

Found some perfectly serviceable 5e stats, so that part is done.

What ecological/encounter role do they play on the island?

Huge beast, unaligned
Armor Class 13 (mage armour)
Hit Points 59 (7d12+ 14)
Speed 40 ft. ft.
STR 21 (+5) DEX 8 (-1) CON 15 (+2) INT 2 (-4) WIS 12 (+1) CHA 6 (-2)
Proficiency Bonus+2
Sensespassive Perception 11
Challenge2(450 XP)

Charge. If the rhinoceros moves at least 20 feet straight toward a target and then hits it with a gore attack on the same turn, the target takes an extra 9 (2d8) bludgeoning damage. If the target is a creature, it must succeed on a DC 15 Strength saving throw or be knocked prone.

Magic Resistance. Thanks to it's horn, the thaumoceros has advantage on saving throws against magic.

Magic Horn. The thamoceros's gore and toss attacks count as magic for the purpose of overcoming damage resistance. 

Toss: Melee Weapon Attack: +8 to hit, reach 5 ft., one target. Hit: 18 (3d8 + 5) bludgeoning damage. The target must also make a Strength save or be tossed 2d5x5 feet in a random direction, taking 6 (2d6) extra damage upon landing.

Huge monstrosity, unaligned
Armor Class 17 (Natural Armor)
Hit Points 195 (17d12+85)
Speed 40 ft., burrow 20 ft, climb 30 fit.
STR 24 (+7)  DEX 13 (+1)  CON 21 (+5)  INT 4 (-3)  WIS 10 (+0)  CHA 5 (-3)
Damage Immunities Acid, Poison
Senses Darkvision 60 Ft., Tremorsense 60 Ft., passive Perception 10
Challenge 11 (7,200 XP)

Long Legs. The gnarax's long legs give disadvantage on melee attacks against it, unless those attacks are made with a polearm, or by a Large or larger creature. Creatures can attempt to climb on to the gnarax's back to negate this effect, with a DC 17 Acrobatics check to move around and make attacks on their turn, and a DC 17 Athletics check every round on the gnarax's turn as the creature tries to shake them off.

Multiattack: The gnarax makes four claw attacks.

Bite: Melee Weapon Attack: +11 to hit, reach 10 ft., one target. Hit: 40 (6d10 + 7) piercing damage.. If the target is a creature, it is Grappled (escape DC 17). Until this grapple ends, the target is Restrained, and the gnarax can't bite another target.

Claws. Melee Weapon Attack: +11 to hit, reach 20 ft, one target. Hit: 18 (2d10+7) bludgeoning damage

Swallow: The gnarax makes one bite Attack against a Medium or smaller creature it is Grappling. If the Attack hits, that creature takes the bite's damage and is swallowed, and the grapple ends. While swallowed, the creature is Blinded and Restrained, it has total cover against attacks and other effects outside the gnarax , and it takes 21 (6d6) acid damage at the start of each of the gnarax turns.
If the gnarax takes 30 damage or more on a single turn from a creature inside it, the gnarax must succeed on a DC 15 Constitution saving throw at the end of that turn or regurgitate all swallowed creatures, which fall prone in a space within 10 feet of the gnarax . If the gnarax dies, a swallowed creature is no longer Restrained by it and can escape from the corpse using 15 feet of Movement, exiting prone.

Let's just do these guys up like giant otters, but give 'em a grab attack, cuz if these guys chomp you they're not letting go.

medium monstrosity, unaligned
Armor Class 13 (Natural Armor)
Hit Points 9 (2d8)
Speed 40 ft., swim 40 ft.
STR 12 (+1)  DEX 14 (+2)  CON 11 (+0)  INT 5 (-3)  WIS 12 (+1)  CHA 12 (+1)
Senses Passive Perception 11 (16 for hearing or smell)
Challenge 1/4 (50 XP)

  • Keen Hearing and Smell. The otter-flea has advantage on Wisdom (Perception) checks that rely on hearing or smell.
  • Pack Tactics. The otter-flea has advantage on an attack roll against a creature if at least one of the otter-flea's allies is within 5 ft. of the creature and the ally isn't incapacitated.

    Standing Leap. The otter-fleas's long jump is up to 20 feet and its high jump is up to 10 feet, with or without a running start.
  • Bite. Melee Weapon Attack: +4 to hit, reach 5 ft., one target. Hit: (2d4 + 2) piercing damage. If the target is a creature, it is Grappled (escape DC 11) if it is a Medium or smaller creature. Until the grapple ends, the otter-flea can't bite another target.

This is great, I would use stats similar to a giant rhino, but add a wicked tail attack. And some extra AC, of course. Also this one is already named! I guess it was in that one video game? I never played it

huge monstrosity, unaligned
Armor Class 16 (Natural Armor)
Hit Points 95 (10d12+30)
Speed 50 ft
STR 22 (+6)  DEX 9 (-1)  CON 11 (+0)  INT 3 (-4)  WIS 11 (+1)  CHA 8 (-1)
Senses Passive Perception 11 
Challenge 5 (1,800 XP)

Charge. If the rhinoceros moves at least 20 ft. straight toward a target and then hits it with a gore attack on the same turn, the target takes an extra 12 (3d8) bludgeoning damage. If the target is a creature, it must succeed on a DC 16 Strength saving throw or be knocked prone.

Multiattack: The 0cryctomus makes two attacks: one ram attack and one attack with its tail. It can't make both attacks against the same target.

Ram. Melee Weapon Attack: +9 to hit, reach 5 ft., one target. Hit: 19 (3d8 + 6) slashing damage.

Tail. Melee Weapon Attack: +10 to hit, reach 10 ft., one target. Hit: 16 (3d6 + 6) bludgeoning damage.

THESE guys

These next few would just have stats as dire wolves or guard drakes. Nothing much needs tweaking.

Make sure this guy gets a good pounce attack for sure

Maybe a giant boar with a bite attack

Basically just a giant lizard with better armor, but this guy also has some lore from Dark Sun. Probably the most vanilla of those weird monster-dinosaurs they have over there, but I like the crawly illustration. Maybe next post (in another year or two) I'll tackle dark sun monsters specifically.

I just want to give them chin scritches

Do these guys need their own statblocks? Maybe...

Thursday, 16 July 2020

Rules of Magic

Magic is mysterious and otherworldly, but there are some guidelines that make it easier for characters to interact with that mystery in an interesting way. Whether examining a magical trap, to understanding how the BBEG gets their superpowers, consistent, permanent magical effects require some level of explanation, both so the rogue can sabotage it, and the wizard can dream of stealing it’s power.

Magic requires Energy.

Whether a permanently invisible bridge (a la Indiana Jones), or a wall of fire blocking off a hallway, magic comes from somewhere (even if the origin is completely opaque to the average layperson.) 

Leylines. Geological force flows through rocks and trees like a vast web, forming nexus nodes where major leylines meet. These nodes are often the locations of ancient druidic stones, temples, and the Church has built it’s own temples over many of these same sites. Leylines provide stable, predictable power, and so are very useful for magical architecture and traps. Temporarily blocking the flow of magic from a leyline is possible, but permanently rerouting major lines typically requires massive engineering projects to move mountains of earth around (these projects are more feasible in wide, flat regions, and are one of the major purposes of pyramids and similar projects.) Harnessing a leyline is typically very slow, but is a commons source of magic for Rituals.

Rivers. Very similar to a major leyline. The power of rivers may ebb and flow with the seasons, and can be blocked or lessened by projects such as bridges or dams. Rivers attract attendant spirits and are essentially minor gods unto themselves, so building a simple bridge involves bargaining or chaining the resident spirit. Rivers have fewer nexus points, whereas geological lines form a kind of net, but they may form nodes at sites such as waterfalls where they interact with the geological lines. Rivers and streams have a kind of world-walking magic inherent to them- Estuaries and the mouths of rivers are often the sites of ethereal portals, which souls use when entering the underworld, and crossing three streams can land you in the land of the Fey. In a way, each land bounded by a river is partially it’s own plane, with it’s own slightly different set of natural laws. This is also why vampires have trouble crossing running water, since they are creatures out of sync with reality.

The Winds of Magic.
More akin to magical radiation blown on the wind, than the power of the wind itself. Although fickle, these powers are easily accessible, and as such are the starting point for many wizard’s spells. Plenty of spell preparation involves consulting almanacs, considering moon phases and weather forecasts, in order to tune spells to the appropriate conditions of the Winds. The winds come in many ‘colours,’ visible only to the magically attuned. Most common are the seven winds that correspond to the seven levels of the soul, but there are other shades as well. The Octarine wind of dawn is one of the most potent, and it is this wind that recharges many artifacts, which otherwise might be too portable to be tapped in to a reliable power source.

Elemental Planes. Another source of magical energy involves essentially poking a hole in reality to access another dimension, and then sculpting and harnessing the forces that poor out. The issue is, these rifts are not stable on their own (and if they are, they can cause all kinds of problems), and require an investment of magic to create. Often the magic required to hold open a portal is as much or greater than the power that can be harvested from the portal, and as such spells that utilize this technique tend to be quick taps into high-energy dimensions, such as the Plane of Fire. Naturally occurring or otherwise permanent portals exist as well, especially at the nodes of leylines which can help keep them stable, but even a ‘permanent’ portal can be a fickle source of power, only functioning and specific times of day or under specific conditions- which can be in fact useful if a wizard wants to use a portal for transport, and would prefer the gateway be somewhat secure against the uninitiated.

The Gods. Faith is a source of great power, and the gods can maintain a miracle essentially infinitely should they choose- but the gods can be fickle. Clerics do not necessarily require a leyline for a permanent magical effect, but they may need to set up elaborate ritual elements, altars, holy symbols, to maintain the miracle. There exist temples where the priests sit in constant prayer, intent on maintaining some obscure magical effect. Priests of the wind god often set up flags or prayer wheels, and driven by the wind they manufacture constant stores of faith. Other beings of lesser power may fulfill a similar function, albeit on a smaller scale, such as through the gifts given to warlocks and cultists.

Sorcerers. Those with innate magic may tap into any of the above, but the core of their magic is their own. It burns within them, providing the seed for all their spells- even in a world otherwise dead to magic, the weakest sorcerer might be able to muster the power to lift a pebble or light a candle.

The Mystery. No one is quite sure where bards get their power, including bards themselves. At lower levels, they might not even realize they are casting spells. They may tap into and dabble with leylines, faith, or any of the other means listed above, they may even have a sorcerous spark within them (and many do)- but the core of their ability is unknown. The magic does not seem to always originate from them, sometimes, rather, it happens to be there at the right time, and they happen to stumble upon it. A feather fall spell may manifest as a conveniently placed haycart, magical defenses can appear as amazing coincidences of luck, and even flashier magics disguise themselves as unlikely confluences of events. Above all the power of their music or even just their simple suggestions to influence minds and change the course of events cannot be easily explained

It’s a Trick!
As the aforementioned ‘invisible’ bridge, sometimes the easiest and most mana-effecient solution is not to use ‘true’ magic at all. Many studies of the arcane include learning particular combinations of smoke and mirrors, whereby a practitioner’s apparent power may be magnified. 


Harnessing & Storage

Gemstones. Some of the most flexible and potent vessels for magic, gems come in all shapes, sizes and uses. Small or poor-quality stones may ‘burn out’ after a few uses, but with the correct precautions a more powerful gem may become a ‘rechargeable battery,’ gaining it’s power from the Winds of Magic, leylines, or the magic of the wielder.

Token objects. Certain objects may accrue specific magical energies around themselves, such as a much-loved child’s toy, a veteran’s blade, or a lucky coin. These magics can be tricky to harness however, as the magic may be specifically attuned (a lucky coin that is good for luck magic but little else), and they may recharge slowly or not at all. Nevertheless they can be useful, and they are the origin of many ‘naturally occurring’ magic items, some of which have considerable, if unsophisticated, levels of potency.

Runes. Situated somewhere between a leyline, a token object, and an element of language, lies the rune. Thousands upon thousands of runes occur in nature, in the random jumble of sticks and stones, in the swirl of leaves and the lines laid by frost and carved by water. Many of these are simple, nearly powerless, like the background static noise of the universe. Others are unparalleled instruments of fate, the runes at the heart of creation, that repeat again and again and resonate in the hearts of all mortals. Fashioned into the surface of an object, they inscribe it’s magic with form and intent. They themselves can provide their own power, but this is often finicky, and often better paired with gems or ritual elements to ease the process.

Pearls of power. Naturally occurring rifts of magic, pinprick-sized, wink in and out of existence every second. Sometimes when they appear within a sensitive organic form, such as a giant clam or a sorcerer’s brain, they stick and the organism begins to secrete a protective coat around it, like a pearl. Those occurring in humans can be less pleasant than the mollusk variety, appearing as a tumor, a bezoar, a carbuncle, and so on- although pearl-like opaline structures have been known to occur.

Tuesday, 21 January 2020

Poison Is OP

Poisons are OP, aka 'Re-Fanging New-School Poison'

Designed to work with Ten Foot Polemic’s death and dying rules. Poison, however, is mentioned only briefly in those rules, and there is no generic poison ‘death and dying’ table to roll on… which sort of makes sense, given the specificity of most poison. I’ve tried to make each poison feel a little unique, while still keeping them simple to run.

As a place to start, I’ve adapted the classic D&D poisons as they appear in 5e. The damages are calculated for 5e-like games, with their inflated hit points, so you may need to adjust for more OSR-type games.

But 5e poisons, in a 5e context, aren't super dangerous. And worst of all, they don't feel poison-y. This should fix that, where even weak poison is a potential pain in the ass.

Notes on terminology: 
- The 'poisoned' condition is from 5e. It just means you have disadvantage on attack rolls and ability checks (this includes skill checks, initiative rolls- basically any d20 roll that isn't an attack roll or a saving throw)
- I refer to 'poison tokens' but Ten Foot Polemic uses the term 'death dice' 'bleed points' and so on interchangeably. They're all the same thing.
- Death Tables: Some poisons have specialized tables. Use these instead of the generic tables. At some point I plan to write a generic poison table, but for now I mostly just use the 'bleeding,' or 'necrotizing' if I'm feeling fancy.


Basic Poison
1d4 poison damage, plus DC 11 save or gain that many poisoned bleed tokens. When you have more than 4 poisoned bleed tokens, you are poisoned.
by Matthew Stewart

Assassin’s Blood
Ingested, no initial save, OR Injury, DC 10 Save
Gain 1d4 generic poison tokens. At the end of each of your turns, as long as you have any poison tokens, make a DC 10 save. Gain 1d4 poison bleed tokens on a failure, or remove one poison token on a success. As long as you have any of these poison tokens, you cannot benefit from magical healing.

Death Table
1-10, vomiting, ‘poisoned’ condition, 1 poisoned pain token
11-15, bleeding sores, coughing blood, 1d4 poisoned trauma dice
16-20, organ failure begins, bleeding from all orifices, incapacitated, all ability scored halved until recovery (min 1d6 days)
21+ organs shut down, death in 1d4 rounds

Burnt Uther Fumes
Inhaled, DC 13 Save
Take 2d6 damage, and also gain that many poisoned bleed tokens and one poisoned pain token.
At the start of that creature’s turn, they make another save, reducing those bleed tokens by 1d6 on a success or adding one pain token on a failure.

Crawler Mucus
Contact, DC 13 Save
1d10 poisoned pain tokens, or 1 token on a successful save. Targets may have a maximum of 10 of these tokens. The target is paralyzed if they fail their test against pain, which they must test for whether or not they ‘tempt fate.’ If they fail this test, they are paralyzed for as long as any poisoned pain tokens remain. At the end of each of their turns, they make another save, removing one token on a success.

Drow Poison
1d4 poison sleep tokens, the target is poisoned for as long as they have these tokens. At the end of each of their turns, roll all their sleep tokens- if the total exceeds their current hit points, they fall unconscious until they have no more poison sleep tokens, or are damaged or shook awake. Remove one sleep token every minute if there are more than 4, or one every 10 minutes if there are less than 4.
Note: this poison is specifically designed to work on elves, so it bypasses their normal sleep resistance. It's not actually true sleep at all, being a kind of psychic paralysis, locking the mind of the creature away in horrifying dreams. Creatures that are immune to sleep AND cannot dream may be immune to this poison.

Essence of Ether – works as written
By Konstantin Vavilov

Malice – works as written

Midnight Tears – works as written
Death Table
1-5, uncontrollable weeping, 1 pain token
10-15, 4 poisoned bleed tokens, permanent blindness unless cured by magic
16-20 unconscious, 1d4 trauma tokens
20+ Death

Oil of Taggit – works as written

Pale Tincture – works as written

Purple Worm Venom
Injury, DC 19
9d6 poison damage, and for each 6 rolled gain a poisoned bleed token, for each double rolled gain a poisoned pain token.
Death Table:
1-15, Gain 1 poisoned trauma token
16-20, Gain 1d4 poisoned trauma tokens
21+ Gain 2d4 poisoned trauma tokens

Serpent Venom
Injury, DC 11
2d6 poison damage. Gain that many poisoned bleed tokens on a failed save, or on a successful save gain one for any 6’s rolled for that poison damage.
Death Table:
1-15, Gain 1 poisoned trauma token
16-20 severe cardiac arrest, death in 1d4 rounds
20+ brain shuts down, death

by Carne Griffiths
Ingested, no initial save
Gain 2d4 poison tokens, and 1d4 poisoned pain tokens. As long as you have poison, make a DC 15 save every round, removing a token on a success and gaining a pain token on a failure. You must also make a pain test at the end of every round, becoming incapacitated on a failure.

Truth Serum
Ingested, no initial save
Gain 2d4 poison tokens. As long as you have these tokens you are poisoned, and you must make a DC 15 saving throw to knowingly speak a lie. In addition, you have disadvantage on deception checks. Remove on poison token every 10 minutes.

Wyvern Poison
7d6 poison damage, plus DC 15 save or also gain that many poisoned bleed tokens. For each turn you take bleed damage from this poison, gain 1 poisoned pain point.

Saturday, 18 January 2020

Unique Treasures

For use when you have to roll up one of those pesky 'Art Items' in a treasure hoard. Treasure is part of the adventure, so it's always a pet peeve of mine when a published book says 'gold earrings' or something for treasure. Even a boring description would be better than nothing!

Prices are given in SP, but use whatever increment equals 1 experience point in your game. Or don't, because honestly keeping the difference is a pretty good way to split high-power from more gritty-feeling games.

I really should be crediting the artist on some of these, but I've been working on this post so long and in such a piecemeal fashion that I've totally lost track. If you know any of them, tell me!

1. Angular Raven Mask - 1,000 sp 
Carved of Pure Obsidian, magicked to be as strong as steel. Can be used as a regular helm, and the beak can be used to attack in a grapple (or very close combat- knife vs. knife for example) for 1d6 damage (no bonus for Str or Dex, as this is not exactly an optimized weapon)

2. Armillary Ring - 100-250 sp 
Marked with xodiac symbols, as well as planets. With it, one can calculate astronomical events- for example, knowing which day of the year it is, one could determine when the sun or moon would rise and set, what stars might hold sway, and so on. This being a small device, it should not be so relied upon as a proper full sized instrument. Intricate, magical versions of this, where the rings fold out and out again to form a impossibly-large sphere, could be worth up to ten times as much (depending on the DM's needs when you roll this)

3. Opalsidian Blade- 500 sp
Surprisingly sharp and durable. Hits vs. ghosts and spirits, but also breaks on a natural 1.

4. Nine-barreled Gun - 500 sp
Extraordinarily impractical in most situations but, like, SO dope. With it, attack rolls can be made against up to nine targets in a 15-ft square area, however all attacks are made with disadvantage. When fired, the wielder must make a DC 15 Con saving throw or break their shoulder from the recoil. As stated, rather impractical, but worth a considerable amount to a collector.

5. Tea Party Weapons - 1,000 sp
Created by a warrior culture deeply invested in ritual and ceremony. Even meals must be accompanied by a weapon, therefore these ceremonial weapons provide recourse without impinging the honour of either warrior or guest. We'll say the thing that coincidentally looks like a grenade is a potion or a very large tea pot...

6. Nymph Earrings - 100 sp
These tiny elementals chew through rock, secreting minerals like gold and silver, along with precious stones, to make their shells. In earring form, the insect is still alive, tricked into clamping down on an adamantium loop which it cannot bite through. It tenaciously hangs on, while accompanying it's host through interminable dinner parties, dungeon crawls, etc.

5. Moss Agate Garden - 200 sp
this naturally-occurring slice of rock seems to contain a miniature painted scene. Magical versions might be portals to tiny pocket dimensions, which are worth up to ten times as much. Because this is not a crafted magic item, the stone provides no natural way to access the inner world, but a simple teleport or dimension door spell will suffice.

6. Scarab Teacup & Saucer - 150 sp (1,500 for the whole set!)
Used traditionally for the 'last supper' for noble prisoners before they were executed, these designs took on a macabre popularity among the dwellers of the ancient city (insert ruined civilization as appropriate). Players should be awarded only when these fragile items are safely escorted out of the dungeon.

In Ten Towns - Random Encounters

There seems to be a decided lack of 'random stuff that happens in town' in the Rime of the Frostmaiden campaign. I think it's es...